We all may be players on the world stage, nevertheless the question remains why we show the emotional responses to the happenings depicted in the fiction, whether in print or visual presentation, as in real life? Just like dreams our imaginations get introduced to us on the mental screen as if we had been watching television or movies. And just as in dreams the actual world becomes supplanted by the virtual universe although we’re fully awake. That world has great resemblance to the real one and what happening in it seems real due to something shifting in our cognition faculty. But the mechanism that triggers our psychological responses remains unchanged and therefore we respond to this fiction in precisely the exact same manner as in actual life.
Here we have some similarity with the virtual reality of the contemporary computer technologies, which is an artificial environment created by applications. It’s introduced to the audience in such a way that the person temporarily suspends own opinion pattern and accepts it as a real environment. In a way it isn’t different from the occurrence of being hauled to the imagined world of fiction, except the computer performing the job is in mind and we have no clue regarding what is the software and who is your programmer.
This brings us into the reason for psychological reaction itself. In respect to fiction the most frequent emotions are likes and dislikes that could turn into their more powerful forms of love and hate. In real life we love or hate a person because of some attachment through kinship, friendship, or through indirect understanding of the person. One cannot love or hate a person one does not know at all. Attachment can also be on other living beings, material things, and to fanciful things. We love or hate a narrative or even an idea. For an ordinary person it is impossible to live unattached to items in the world. If one is able to get rid of attachment, one unites the rank of educated souls who are indeed rare. We carry our ability and desire for attachment even into the fanciful world of fiction. We see the characters that we come to understand as the story progresses, shape our likes and dislikes, and react in the same manner as in real life except that we cannot socialize together physically. But we do socialize together in our heads and hearts from where the emotions come. What have just discussed is crucial for your knowledge about here, but there is much more to think about. There is a tremendous amount you truly should take the time to find out about. However, you will discover them to be of great utility in your search for information. Getting a high altitude overview will be of immense value to you. So we will give you a few more important points to think about.
The fact is that at a certain sense life is fiction. Like a narrative it’s a beginning, an end, and also lot of stuff in between. We do not know who writes this fiction nor will ever understand. Thus we’ve got an innate affinity with fiction and cannot fully detach ourselves from it. And maybe that is the reason why, while reading or seeing fiction we get dropped in the wonderland of imagination, but for this short period we operate exactly in the exact same manner as we want in the real world of our understanding. In that sense fiction is just invented reality.
Theme is the reason fiction matters, because it is the quality that provides the narrative a universal appeal. Some state theme is exactly what the story is about, but that is too ephemeral a definition, which may get confused with all the idea or the storyline.
Theme enriches and inspires the reader while saying something profound about the human condition. Theme is the abstract concept behind the narrative forming the story’s heart and soul which the exposition, dialogue, and action reflect every opportunity they get.
Theme is not the characters or the storyline or the first idea that started the story. By way of example, a writer may start with the concept of exploring family connections between women, but as his story progresses, his theme may appear as understanding and forgiveness between different generations of females. There are some topics on which it is very hard to write any kind of story.
Theme is indicated, sometimes without the writer’s knowing of it in the start; however, more experienced writers usually work on their subject harder than any other part of the story as soon as they grab on to what it is they are writing about.
In non-fiction, the author is advised to hone into his theme and start referring to it at the first paragraph. In fiction, on the other hand, the motif generally flowers through the writing as the story progresses.